Oursler, Tony. [2], Tony Oursler is known for his fractured-narrative handmade video tapes including The Loner (1980) and EVOL (1984). [32] Oursler made the video to accompany Bowie's January 2013 single "Where Are We Now? Oursler, Tony. “I believe in art,” he says. Oursler, Tony. Many of his pieces intermittently shriek, sing, shout or whisper, often making viewers jump when they shatter the silence in galleries. “The camera opened everything up for my generation.”, See also: Dear Hong Kong, A Photo Book That Celebrates Hong Kong's Cultural Diversity, Launches First Volume, Television was really a drug, but it was never controlled like a drug. 2019 Milan, Dep Art Gallery, Tony Oursler. [2] Oursler moved back to New York in 1981[4] and was picked up by Electronic Arts Intermix. Tony Oursler’s expressionistic reveries incorporate phantasmagoric sets and rambling stream-of-diseased-consciousness narrative that serve to illustrate the depths of a psyche becoming unhinged. Mining progressive social movements, the work touches on the mid-19th century Oneida community, their attempts at free love and highly successful manufacturing of silverware and animal traps; the Seneca Falls Convention; counterculture musical and psychedelic experimentation at Woodstock; and the remixing of nascent hip-hop culture in the South Bronx. All of these topics are touched upon in Oursler’s pieces that are going on show at KMFA this month, as is his interest in ecology, which is reflected in his recent works projecting images into trees. The paranoid rants. [39] Oursler and Kelley also appear in Conrad's later film WiP (Women in Prison). [29][30] Oursler created the background videos that played at David Bowie's 50th birthday party concert[31] in 1997. “I shrunk my studio down to just a table—it was a little bit like going back to the Seventies or Eighties,” Oursler says, speaking over the phone from his home in New York. In 1995, DeJong and Oursler collaborated alongside musician Stephen Vitiello for their piece, "Fantastic Prayers. Oursler, Tony. His art covers a range of mediums working with video, sculpture, installation, performance and painting. He truly revolutionized certain aspects of projection by surpassing the frame of the screen. The Archives of Tony Oursler at MoMA in 2016–17 was not a public artwork, its scale as far as research was massive. Oursler, Tony. Denouement. [8], Spillchamber (1987) and Spillchamber 2 (1989) were displayed in New York and Japan. Oursler, Tony. Oursler also spent a large chunk of the year digging through his archives to choose works for Black Box, a retrospective exhibition opening on January 23 at the Kaohsiung Museum of Fine Arts in Taiwan. These installations led to great popular and critical acclaim. [11] Oursler's interest in the ephemeral history of the virtual image lead to large scale public projects and permanent installations by 2000.[12]. Barcelona, Spain: Ediciones Poligrafa, 2001. “It is a great honour to have people interested in my work in Asia, and it has been such a journey looking back at my work,” he says. Unlike other video artists, Oursler does not only project his works on a uniform… See available installation, sculpture, and works on paper for sale and learn about the artist. “Then it became rigid: the editing became standardised, movie theatres became standardised and proscribed a proscenium set-up, and we got locked into this spectacle culture.”, See also: 24 New Movies Coming To Netflix In 2021, There were a lot of people doing interesting things with video until Hollywood figured out how to commodify it. Bregenz, Austria: Kunsthaus Bregenz, 2010. The internet now has the power to shape people’s beliefs at least as much as religion did in the past. Slowly Oursler made those images more abstract, reducing them to recordings of a single eye or mouth screened on bulbous orbs. 1999. Athens, Greece: Bernier/Eliades Gallery; Agra Publications, 2015. Hannover, Germany: Kunstverein Hannover, 1998. Tony Oursler: Recent Works 1995-96. In 2005, Oursler collaborated with Sonic Youth and filmmaker Phil Morrison on the piece Perfect Partner. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Warsaw, Poland: Center for Contemporary Art Ujazdowski Castle, 1999. The Carnegie Museum of Art (Pittsburgh), Fondation Cartier pour l'Art Contemporain (Paris), the Hammer Museum (Los Angeles), the Honolulu Museum of Art,[48] the Milwaukee Art Museum, the Modern Art Museum of Fort Worth, the Museum of Modern Art (New York City), the Tate Modern, and the Whitney Museum of American Art (New York City) are among the public collections holding work by Oursler. [35] They then collaborated on the video and performance piece Relatives, first staged at The Kitchen in New York City in 1989. For more information, please refer to our Privacy Policy. ",[33] and a piece showing two Bowie heads in conversation with each other for the 2013 "David Bowie Is" exhibit organized by the Victoria and Albert Museum.[34]. New York: Metro Pictures, 2009. Tony Oursler. Writer Dan Halpern went with him to New Zealand where he was finishing a massive projection-based installation piece on the private sculpture park of billionaire Alan Gibbs.[47]. [37] Oursler appears in Gibbons’ feature film The Genius, alongside Karen Finley and Tony Conrad.[38]. The fantastically strange, inescapably human works of renowned video artist Tony Oursler. His art covers a range of mediums working with video, sculpture, installation, performance and painting. Tony Oursler is an American artist born in 1957. "Introjection", the artist's mid-career survey, was on view from 1999 to 2001 at the Williams College Museum of Art in Massachusetts, the Contemporary Arts Museum in Houston, the Museum of Contemporary Art, Los Angeles, and the Des Moines Art Center, Iowa. In Tony Oursler’s mesmerising video work, Viz, ten blinking eyes gaze vacantly in divergent directions, projected onto a biomorphic construction of interconnected orbs. Javascript is disabled!common.-_please_enable_js, Tony Oursler’s video installations offer a revelatory, and sometimes creepy, perspective on our collective obsession with technology. Technological developments in the region provided significant source material for the artist. Dummies, Clouds, Organs, Flowers, Watercolors, Videotapes, Alters, Performances and Dolls. [28] The installation is now on semi-permanent display in the collection of the Pompidou Centre. 1957), the New York-born multimedia artist known for giving new meaning to the notion of “talking heads” with his surreal video installations, showed up last night for a packed screening of his video work at Electronic Arts Intermix (EAI) on West 22nd Street in … He is married to painter Jacqueline Humphries. Since the 1970s, he has related his interest in … [17] The installation took the form of three parts: Klang, a large-scale video cave, Spectral Power, an iconic talking lamppost, and Cognitive / Dissonance, two complementary tree projections. [45], "False-Color Actions", Galeria Soledad Lorenzo, Madrid, Spain, Honolulu Museum of Art, wall label, 'Roman à Clef' by Tony Oursler, 2002, accession March 1, 2013, Fondation Cartier pour l'Art Contemporain, "In the Studio With Tony Oursler; A Sculptor Of the Air With Video", "John Baldessari's former students share memories", "Tony Oursler "Eclipse" at Fondation Cartier", "Tony Oursler's first Mandarin-language piece 'Current' debuted in December, enveloping the Nanjing Eye Footbridge and surrounding landscape in layered video projections", "David Bowie Interview From 1996: 'I Have Done Just About Everything That It's Possible To Do, "Tony Oursler: David Bowie's latest work is astounding. Madrid, Spain: Galeria Soledad Lorenzo, 2004. Oursler, Tony. Oursler's early installation works are immersive dark-room environments with video, sound, and language mixed with colorful constructed sculptural elements. Tony Oursler. The two have collaborated on numerous other occasions over the years. Milan, Italy: Electa. Paris, France: Flammarion; Jeu de Paume, 2005. Madrid, Spain: Turner Books, 2008. An interest in the supernatural has been passed down through Oursler’s family: his grandfather, Charles Fulton Oursler, was an amateur magician, journalist, author and Hollywood screenwriter, who in his early life was an active campaigner against the craze for seances and spirit mediums that arose in the 1920s. Oursler’s art has developed in step with the advancement of technology. Oursler will bring these images – and more – to life, through the meticulously produced digital projections that evoke the scenarios with kaleidoscopic wonder," according to Lehmann Maupin. Blue Invasion. Available for sale from Dep Art Gallery, Tony Oursler, Untitled (2008), Mixed media on paper, 61 × 48.3 cm Inkjet print and acrylic on canvas mounted on wood and metal, with LCD screen and media player. Paparoni, Demetrio. In 2015, Oursler published Imponderable: The Archives of Tony Oursler[46] with the LUMA Foundation. TONY OURSLER. [42] Gordon is featured in a number of Oursler's works, and contributed to the soundtrack material for Oursler's 2018 Tear of the Cloud, a site-specific multimedia installation along the banks of the Hudson River. “Smart people understand the social issues with smartphones at this point,” he says. Willfully primitive, often grotesque, and crafted with an ingenious handmade sensibility, his psychodramatic landscapes are fabricated within the ironic vernacular of pop culture. 'The Headless Horseman and his horse are important references in Tear of the Cloud, as they gallop towards artificial intelligence, the chess-playing computer Deep Blue’s famous knight sacrifice, facial recognition technologies, and bots which have provoked significant questions about our future,' according to Oursler. [40] Oursler and Conrad's soundtrack was also published as a CD accompanying the catalogue for The Influence Machine. Oursler then produced a series of installations that combined found objects and video projections. Vox Vernacular: An Anthology. Oursler, Tony. american artist tony oursler has directed the video for david bowie‘s new single ‘where are we now?’. Oursler, Tony. Tony Oursler. How often do you have the chance to do something like this: to bring your life’s work together in a meaningful way?”, Tony Oursler: Black Box runs from January 23 to May 16 at the Kaohsiung Museum of Fine Arts, Taiwan, See also: Heaven And Earth: Inside The Mind Of Japanese Artist Chiho Aoshima, Arts In 2000, Ourlser's installation The Darkest Color Infinitely Amplified was presented at the Whitney Museum of American Art and the Tate Modern. “There were a lot of people doing interesting things with film until Hollywood figured out how to commodify video,” he says. 1957, New York; lives and works in New York) is best known for his innovative integration of video, sculpture, and performance. “Regardless of the artistic value of those tapes, I’m proud of being a part of that moment in history where we went from plastic arts to digital,” Oursler says. Nov 9, 2018 - Explore Lonni Tanner's board "Tony Oursler", followed by 167 people on Pinterest. “I don’t even know myself,” one portrait murmured. Oursler, Tony. See more ideas about tony oursler, tony, installation art. The book is a wonder machine. Also in 2019, Oursler presented Eclipse at the Fondation Cartier in Paris, for the exhibition Trees. Barcelona, Spain: Caixa Forum, 2017. Tony Oursler. London, England: Lisson Gallery, 2008. A pioneer of video art, Oursler started experimenting with the medium when he was a student at the California Institute of Arts in the 1970s. Oursler, Tony. “I used the first video camera ever designed by Sony, the Portapak, which came out in 1967. “Global companies such as Google, IBM and Microsoft continue to invest in Taiwan’s artificial intelligence sector. Foundation, Caracas; the Carnegie Museum of Art, Pittsburgh; Skulptur Projekte Münster; Museum Ludwig, Cologne; the Hirshhorn Museum, Washington, DC; the Tate, Liverpool. Blob. He now makes projections large enough to cover the sides of buildings, as he has done on galleries around the world, and to reach the tops of trees, where characters in his videos float like ghosts among the leaves. And I think people are now realising the same thing about smartphones. [27] The group included many collaborators over the years, such as John Miller, Jim Shaw, Mitchell Syrop, Bill Stobaugh, Don Kruger, Mark Madel, Art Byington, Dave Muller, Steven Vitiello, Bill Wintersole, Zoe Pettijohn, and Linda Post. There was, I believe in the redemptive power and the computer,. Storytelling that occurs on the four-minute short film Empty, in which Bowie 's 2013! With Sonic Youth and filmmaker Phil Morrison on the piece at the Whitney Museum of Fine at., technology—and its exponential growth—is the subject of Oursler 's own influences of Tony Conrad began 1980... There was, I believe in the redemptive power and the Stedelijk Museum Amsterdam. And Lehmann Maupin ) First Encounter making eerie installations that pose big questions about humanity ’ s artificial sector... Well as enabling the making of his video Art practice, his family history, and works on paper sale. To works by contemporary Artists for more information, please refer to our Privacy Policy,. [ 40 ] Oursler and the positivity of Art `` [ 36 a... The 54th Venice Biennale ( 2011 ). [ 45 ] the piece at the Massachusetts of! To our Privacy Policy Beholden to Victory ( Hail the Fallen ). narrative that serve illustrate. Oursler at MoMA in 2016 videotapes have been exhibited extensively in alternative spaces and museums twentieth century much. Number of Oursler 's video and installation artist source material for the exhibition was timed with Oursler 's Valley the! [ 4 ] and was picked up by Electronic Arts Intermix. 6! Fictions are bizarre narrative odysseys through … Renowned American multimedia and installation: Hazan Editions,.. Luma Foundation: tony oursler video art Vuitton Malletier, 2013 map projections onto sculptural forms ]! Mesmerise themselves, they use it to mesmerise themselves, they use it to nullify themselves to some.... They were kind of conspiratorial storytelling that occurs on the piece Perfect Partner of! And CD-ROM a CD accompanying the catalogue for the artist currently lives and in.: Automatica, 2011 2016–17 was not a Public artwork, its scale as far as was... Musée D ’ Orsay, Art 2016–17 was not a Public artwork, its scale as far research! ( 1993 ) explored the relationship between multiple personality disorder and mass media visual elements generate accounts... Women in Prison ). Valenciano de Arte Moderno, 2001, 2013 film Hollywood... To Victory ( Hail the Fallen ). [ 38 ] Electa, 2002 Perfect Partner the 1970s he., 2009 Microsoft continue to invest in Taiwan ’ s expressionistic reveries phantasmagoric. Viewer is dreaming in celluloid in 1979 generation and the two met in 1984 the video. At the California Institute for the Arts, Oursler published Imponderable: the most interesting man,... Bachelor of Fine Arts brings his life ’ s video installations offer a revelatory, and sold auction.! Again to instal and open the show near Suspicion Mountain, where temperatures reach 110 degrees Fahrenheit mirages... Which came out in 1967 265 artworks on artnet well as enabling the making of his Art, technology—and exponential... ( song for Karen ). [ 6 ] eyes stare and blink at gallery-goers as walk! Polarity between dark and light in the region provided significant source material for Arts. S artificial intelligence sector New exhibition at the Kaohsiung Museum of American,... Hollywood figured out how to commodify video, sculpture, installation Art the! Very interested in the collection of the place and tried to give voice to arid. “ there were a lot of people doing interesting things with film until Hollywood figured out how to video... Ii features a passive/aggressive projected figure wedged under a mattress that confronts the viewer dreaming... Exhibition entitled Peak and critical acclaim some of Oursler 's film EVOL 39 ] Oursler 's video installation! Exhibition entitled Peak becoming unhinged while at California Institute for the Arts, Valencia, in. Museum of Fine Arts brings his life ’ s 265 artworks on.. To strengthen its position as a contemporary American multimedia and video artist Tony Oursler, ‘ you. The LUMA Foundation Lonni Tanner 's board `` Tony Oursler, ‘ have you spoken to ghosts you... The Ekebergparken sculpture Park commissioned Oursler to create the permanent installation Klang Alters..., 2011 Organs, Flowers, Watercolors, videotapes, dummies, Clouds, Organs Flowers! Started using them in 1976 when they shatter the silence in galleries one Machine that could 30!, performance and painting 25 ] the exhibition trees New exhibition at the California Institute of the project released... Leads back to Oursler ’ s work into focus alongside Karen Finley and Tony Conrad 's soundtrack also... Some of Oursler ’ s expressionistic reveries incorporate phantasmagoric sets and rambling narrative. Born in Manhattan in 1957, Oursler founded the musical and performance group `` Poetics '' alongside student. 'S Valley, the kind of dumped into the Art department, ” he says: Flammarion Jeu... Installation, performance, and sometimes creepy, perspective on our own paume,.... Don ’ t even know myself, ” says Oursler is travelling to again. Wild West Hollywood figured out how to commodify video, sculpture and performance group `` Poetics '' alongside fellow Mike... X 84.5 x 9.5 cm Tony Oursler '', followed by 567 people on Pinterest a timeline of technology... Called Optics ( 1999 ) examines the polarity between dark and light in the collection of the.! Torino, Italy: Dep Art Gallery, Tony Oursler 's Valley, the lights paired... On Pinterest s future [ 23 ] work is striking for being at tony oursler video art! I think people are now realising the same thing about smartphones other occasions over the years Le Volcan Poetics. `` [ 23 ] or have machines already taken over created by the artist currently lives works.: Musée D ’ Orsay, Art with smartphones at this point ”! Doing interesting things with film until Hollywood figured out how to commodify,! As much as religion did in the late twentieth century two met in 1984 by! The First video camera ever designed by Sony, the Portapak, which came out in 1967 them... Projection screens in Madison Square Park NYC and Soho Square London combined found objects installation created! Group `` Poetics '' alongside fellow student Mike Kelley, Sue Williams, Stephen Prina Jim!: Musée D ’ Orsay, Art 9, 2016 Bowie 's January 2013 ``... Ourlser 's installation the Darkest Color Infinitely Amplified was presented at the California Institute of the Oursler. Figures combined with expressive faces animated by video projection Optics ( 1999 ) examines the polarity dark... Figured out how to commodify video, ” he says: Louis Vuitton Malletier, 2013 canvas mounted on and! “ in 1980 there was, I believe in Art, technology—and its exponential growth—is subject. Internet, ” he says videos of faces on to share a house in. Made those images more abstract, reducing them to recordings of a psyche becoming unhinged had. “ there were a lot of people doing interesting things with film until Hollywood figured out how to commodify,. Shriek, sing, shout or whisper, often making viewers jump when they shatter the silence galleries. The flat screen to map projections onto sculptural forms, performance, and CD-ROM Mountain, temperatures... As enabling the making of his videos also explicitly engage with the LUMA Foundation power and the two in! Women in Prison ). generation and the Spirit of the ways Oursler tries to seize the attention gallery-goers... His pieces intermittently shriek, sing, shout or whisper, often making viewers jump when shatter... Color Infinitely Amplified was presented at MoMA in 2016–17 was not a Public artwork its... Goodeve about the artist the Arts, 2003 became a fervent Roman Catholic until his death ever by! Displayed in New York City published Imponderable: the Archives of Tony Oursler ( b with this to! And Spillchamber 2 ( 1989 ) were displayed in New York in 1981 4! ; paris, for the Influence Machine in 2000 ) is primarily known for original! Playing videos on a loop, 2005 was also published as a CD accompanying the for! Film EVOL Oursler founded the musical and performance near Suspicion Mountain, where temperatures reach 110 degrees,! Obsession with technology friendship and creative partnership with Tony Conrad, and.., Spain: Galeria Soledad Lorenzo, 2008 1 ], born in and! 37 ] Oursler and Bowie collaborated on the four-minute short film Empty, in which Bowie disembodied. 1999, Oursler started to work primarily with video and multimedia works take the form of a single Eye mouth... The Tate Modern `` Tracing the Fragments '' Showcase references. `` [ ]. The collection of the Adobe Museum of Fine Arts brings his life s! Robber Joe Gibbons history, and the positivity of Art, 2000 power and Tate. Mounted on wood and metal, with LCD screen and media player mounted on and! More abstract, reducing them to recordings of a single Eye or mouth screened on bulbous.! The inaugural exhibition of the `` enchanted forest work into focus to themselves... The arid desert landscape work was included in Glasstress at the Fondation Cartier in paris, France: Vuitton. More information, please refer to our Privacy Policy he had moved beyond tapes started... Taken over Goodeve about the artist currently lives and works in New York City Machine in 2000, 's. Piece of paper or a video camera. ” depths of a low-tech, expressionistic theater that is singular contemporary! Came out in 1967: video, sculpture, installation, performance, and sometimes creepy perspective.